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#FLOW40: INTERVIEW WITH ANDREAS VALENTIN

Andreas’ online course is now translated into German and available as DIGITAL MAGAZINE. Reason enough to publish our interview with him here.

English version see below!


Online courses were yesterday. Today DIGITAL MAGAZINE are in.

We are thus meeting people’s mobile needs and offering up-to-date expertise regardless of network availability. Whether by plane, train or analog regions: Nothing stands in the way of further education with it. And if you have net, you can then find our icing on the cake online on the Internet. Isn’t that beautiful?

Those who want to, will find ways. Those who don’t want to will find reasons. (Götz Werner)

We have reworked the English-language photography course ONE-HOUR PHOTO by Andreas Valentin, which was popular in the former FLOWCAMPUS, and also translated it into German. To mark the occasion, we are now posting our interview with him on this blog.

Meet: Andreas Valentin, Ph.D.

andreasvalentin

First, who are you? And how did you find your way to photography?

My name is Andreas Valentin. I am a Brazilian of German descent currently living in Rio de Janeiro. I have been taking pictures for over 50 years. I have lived in many different cities such as Bangkok, Philadelphia, Berlin and Manaus on the Amazon. Photography has always opened doors to better understand these places, learn about their culture and communicate with their people. Likewise, photography as a form of artistic expression has opened my mind and my worldview.

I teach photography at a variety of levels: to youth, graduate and doctoral students, and in private workshops and study groups. I am now looking forward to this first online teaching experience!

2) What fascinates you about photography?

We live in an increasingly visual world today. Images overwhelm us on our television, computer and smartphone screens. And we are all both image producers and image consumers. What interests me today about teaching photography and reaching people is to better understand how we should interact in this intense visual world.

How do we – and our images – survive in this maelstrom of photos and videos?

Well, maybe we should start thinking about that instead of just taking pictures. About images that could have a longer impact and be remembered, rather than fleeting images that are forgotten almost as quickly as they are taken. Maybe we should slow down our photography.

3) How can photography be used for personal development?

Learning how to take good photography contributes to our overall development. We see the world differently: instead of a superficial look, we look for details, for the rectangle cut out of the visible world that could turn into a good picture. We become more perceptive, more aware of ourselves and what surrounds us.

However, to achieve this, we need to practice a lot. Instead of just shooting in quick, automatic mode, we need to try to take photos in a more contemplative, thoughtful way. We need to use both our brain and our eyes. And, using our brain is always a nice thing to do!

4) Since the social framework is currently changing so rapidly: What contribution can photography make to this process?

Most people who take pictures these days are not professionals, but they still love to take pictures. And are doing so more and more. As a hobby; to relax; for fun; as a marketing tool; to build social networks; to be seen, looked at, liked and followed. For whatever reason, these so-called amateur photographers are helping to elevate photography to a status it never had before: it is now the most widely practiced contemporary activity in the world.

The trillions of photos that are taken, uploaded, sent and shared connect people in a variety of ways.

5) One-hour micro-courses as DIGITAL MAGAZINE TO GO: What do you personally like about this format?

A micro course is a modern training that perfectly suits modern people, because today you need compact, short and concise content that can be used regardless of time and place.

60 minutes is ideal for me to get a quick taste of a new topic. To see if a topic is relevant to me and my personal development.

60 minutes is also ideal for me because it is predictable and promising and helps me finish the course without interruption if necessary. Because I can do the course well after work, if I invest only 1 hour of my free time, or if I train 10 minutes a day for a week, or if I use my lunch break at the office.

And with the format of a DIGITAL MAGAZINE, you can now even spend mobile offline phases in a wonderfully meaningful way. That’s great!

>> Click here for his DIGITAL MAGAZINE “ONE-HOUR PHOTO”.

We wish you a lot of fun!


The English version

Online courses were yesterday. Today, DIGITAL MAGAZINES are in.

We have reworked Andreas Valentin’s photo online course from our former FLOWCAMPUS and publish it now as a DIGITAL MAGAZINE TO GO.

For this reason, we are now posting our interview with him on this blog.

Meet: Andreas Valentin, Ph.D.

Andreas Valentine

First, who are you? And how did you find photography?

My name is Andreas Valentin. I am a Brazilian of German descent and currently live in Rio de Janeiro. I have been photographing for over 50 years. I have lived in many different cities, such as Bangkok, Philadelphia, Berlin, and Manaus in the Amazon. Photography always opened doors to better understand these places, know their culture and communicate with their people. Likewise, photography as a form of artistic expression has opened up my mind and worldview.

I have been teaching photography at various levels: to high school teenagers, graduate and postgraduate university students as well as in private workshops and study groups. I am now looking forward to this first online teaching experience!

2) What fascinates you about photography?

We live today in an ever more visual world. Images overwhelm us on our television, computer and smartphones screens. And all of us are image-makers as well as image-consumers. What interests me today in teaching photography and reaching out to people, is to better understand how we should interact in this intensely visual world.

How do we – and our images – survive and stand out in that whirlpool of photos and videos?

Well, maybe we should begin thinking about making, instead of just taking pictures. About images that might last and be remembered instead of ephemeral ones that are forgotten almost as fast as they are taken. Maybe we should slow our photography down.

3) How can photography be used for personal development?

Learning how to do good photography adds to our overall development. We get to see the world in a different way: instead of a superficial gaze, we look for details, for that rectangle cut out from the visible world which might turn into a good picture. And, thus, be more perceptive, more conscious of ourselves and what surrounds us.

In order to that, however, we must practice a lot. Instead of just taking pictures in the fast, automatic mode, we must try to make photos, in a more contemplative, thoughtful way. We have to use our brain as well as our eyes. And, using our brain is always a nice thing to do!

4) As the social framework conditions are currently changing so fast: what contribution can photography make to this process?

Most people who photograph nowadays are not professionals but, nonetheless, love to photograph. And are doing this more and more. As a hobby; to relax; for fun; as a marketing tool; to build up social networks; to be seen, viewed, liked and followed. For whichever reason, these so-called amateur photographers are contributing to raising photography to a status it had never had before: it is today the world’s most practiced contemporary activity.

The trillions of photographs that are taken, uploaded, sent and shared, are connecting people in many different ways.

5) One-Hour-Micro-Courses as DIGITAL MAGAZINE: What do you personally like about this format?

A micro-course is modern education which suits me perfectly as a modern person because I need compact, short and concise content, which I can use online regardless of time and place.

60 minutes are ideal for me to quickly get a taste of a new topic. To see whether a topic is relevant to me and my personal development.

60 minutes is also ideal for me because they are predictable and promising and help me to finish the course without interrupting. Because I can do the course well after work, if I only invest 1 hour of my free time or if I spend a week training daily for 10 minutes or if I use the lunch break in the office.

And with the format of a DIGITAL MAGAZINE, you can now even spend wonderfully useful mobile offline phases. That’s great!

>> Click here for his DIGITAL MAGAZINE “ONE-HOUR PHOTO”.

We wish you a lot of fun!

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